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Titus Andronicus

Written: 1592
Source: Possibly Ovid's Metamorphses (the tale of the rape of Philomel) and Seneca's Thyestes
Characters: Titus Andronicus, Aaron, Marcus Andronicus, Tamora, Saturninus, Lucius, Demetrius, Bassianus, Lavinia, Chiron
Setting: Rome
Time: AD 250 – 450

Gore and classical allusions characterize this early work by the young William Shakespeare. It appears this “upstart crow” was trying to sell tickets to the plebeian masses by offering buckets of blood while simultaneously trying to impress the dons of Oxford and Cambridge ” “beautified with our feathers” ” with his knowledge of Greek and Roman history and mythology .

Lyrical Violence

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The cruelty that characterizes Titus Andronicus is established in the first scene. Tamora’s cry, “O cruel, irreligious piety!” captures the style of what follows in this play – the juxtaposition of religious language, an idyllic setting and barbarity. In many passages the descriptions of horror are cast in lyrical or pastoral language, e.g. Aaron explaining to Tamora’s sons the setting appropriate for raping,
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Noble patricians, patrons of my right, Defend the justice of my cause with arms

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 Saturninus and his followers at one door, and
 Bassianus and his followers at another door, with
 other Romans, Drums, and Trumpets.
Saturninus
Noble patricians, patrons of my right,
Defend the justice of my cause with arms.
And countrymen, my loving followers,
Plead my successive title with your swords.
I am his firstborn son that was the last
That wore the imperial diadem of Rome.
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The forest walks are wide and spacious

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The forest walks are wide and spacious,
And many unfrequented plots there are,Hyperbaton
Fitted by kind for rape and villainy.
Single you thither then this dainty doe,Alliteration & Metaphor
And strike her home by force, if not by words.

The Emperor’s court is like the house of Fame,
The palace full of tongues,
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Act 2
Scene 1
Line 121

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Lyrical Violence

My lovely Aaron, wherefore look’st thou sad

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Tamora
My lovely Aaron, wherefore look’st thou sad,
When everything doth make a gleeful boast?
The birds chant melody on every bush,
The snakes lies rollèd in the cheerful sun,
The green leaves quiver with the cooling wind
And make a checkered shadow on the ground.

We may, each wreathèd in the other’s arms,
Our pastimes done,
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Act 2
Scene 3
Line 10

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Hear me, grave fathers; noble tribunes, stay

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Hear me, grave fathers; noble tribunes, stay.
For pity of mine age, whose youth was spent
In dangerous wars whilst you securely slept;
For all my blood in Rome’s great quarrel shed,
For all the frosty nights that I have watched,
And for these bitter tears which now you see,
Filling the agèd wrinkles in my cheeks,
Be pitiful to my condemnèd sons,
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Act 3
Scene 1
Line 1

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Ah, Lucius, for thy brothers let me plead

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Titus Andronicus
Ah, Lucius, for thy brothers let me plead.—
Grave tribunes, once more I entreat of you—
Lucius
My gracious lord, no tribune hears you speak.
Titus Andronicus
Why, ’tis no matter, man. If they did hear,
They would not mark me; if they did mark,
They would not pity me.
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Act 3
Scene 1
Line 30

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O, thus I found her straying in the park

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Marcus Andronicus 
O, thus I found her straying in the park,
Seeking to hide herself as doth the deer
That hath received some unrecuring wound.
Titus Andronicus 
It was my dear, and he that wounded her
Hath hurt me more than had he killed me dead.
For now I stand as one upon a rock,
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Act 3
Scene 1
Line 90

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O brother, speak with possibility

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Marcus Andronicus
O brother, speak with possibility,
And do not break into these deep extremes.
Titus Andronicus
Is not my sorrow deep, having no bottom?
Then be my passions bottomless with them.
Marcus Andronicus
But yet let reason govern thy lament.
Titus Andronicus
If there were reason for these miseries,
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Act 3
Scene 1
Line 219

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When will this fearful slumber have an end?

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Titus Andronicus 
When will this fearful slumber have an end?
Marcus Andronicus
Now farewell, flatt’ry; die, Andronicus.
Thou dost not slumber. See thy two sons’ heads,
Thy warlike hand, thy mangled daughter here,
Thy other banished son with this dear sight
Struck pale and bloodless; and thy brother, I,
Even like a stony image cold and numb.
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Act 3
Scene 1
Line 257

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Peace, tender sapling. Thou art made of tears

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Titus Andronicus 
Peace, tender sapling. Thou art made of tears,
And tears will quickly melt thy life away.
Marcus strikes the dish with a knife.
What dost thou strike at, Marcus, with thy  knife?
Marcus Andronicus
At that that I have killed, my lord, a fly.
Titus Andronicus 
Out on thee,
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Act 3
Scene 2
Line 50

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Sooner this sword shall plow thy bowels up!

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Aaron, taking the baby  
Sooner this sword shall plow thy bowels up!
Stay, murderous villains, will you kill your brother?
Now, by the burning tapers of the sky
That shone so brightly when this boy was got,
He dies upon my scimitar’s sharp point
That touches this my firstborn son and heir.
I tell you,
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Act 4
Scene 2
Line 91

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