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As You Like It

Am not I your Rosalind?

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Rosalind, as Ganymede
Am not I your Rosalind?
Orlando
I take some joy to say you are because I
would be talking of her.
Rosalind, as Ganymede
Well, in her person I say I will not have you.

Men have died from time to time and
worms have eaten them,
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Act 4
Scene 1
Line 93

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The Forms of Things Unknown

Will you, Orlando, have to wife this Rosalind?

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Celia
Will you, Orlando, have to wife this Rosalind?
Orlando
I will.
Rosalind, as Ganymede
Ay, but when?
Orlando
Why now, as fast as she can marry us.

Make the doors upon a woman’s wit, and it will out
at the casement. Shut that,
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Act 4
Scene 1
Line 136

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You have simply misused our sex in your love-prate

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Celia
You have simply misused our sex in your love-prate.
We must have your doublet and hose plucked
over your head and show the world what the bird
hath done to her own nest.

O coz, coz, coz, my pretty little coz, that thou
didst know how many fathom deep I am in love.

Rosalind
O coz,
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Act 4
Scene 1
Line 214

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Figures of Speech:

Which is he that killed the deer?

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Jaques
Which is he that killed the deer?
First Lord
Sir, it was I.

What shall he have that killed the deer?
His leather skin and horns to wear.

Jaques, to the other Lords
Let’s present him to the
Duke like a Roman conqueror. And it would do well
to set the deer’s horns upon his head for a branch of
victory.—Have you no song,
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Act 4
Scene 2
Line 1

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Good ev’n, gentle friend. Cover thy head

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Touchstone
Good ev’n, gentle friend. Cover thy head,
cover thy head. Nay, prithee, be covered. How old
are you, friend?
William 
Five-and-twenty, sir.
Touchstone
A ripe age. Is thy name William?

The fool doth think he is wise, but the
wise man knows himself to be a fool.

William
William,
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Act 5
Scene 1
Line 17

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Is ’t possible that on so little acquaintance

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Orlando
Is ’t possible that on so little acquaintance
you should like her? That, but seeing, you should
love her? And loving, woo? And wooing, she should
grant? And will you persever to enjoy her?
Oliver
Neither call the giddiness of it in question, the
poverty of her, the small acquaintance, my sudden
wooing,
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Act 5
Scene 2
Line 1

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O my dear Orlando, how it grieves me

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Rosalind, as Ganymede
O my dear Orlando, how it grieves me
to see thee wear thy heart in a scarf.
Orlando
It is my arm.
Rosalind, as Ganymede
I thought thy heart had been
wounded with the claws of a lion.
Orlando
Wounded it is,
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Act 5
Scene 2
Line 20

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Good shepherd, tell this youth what ’tis to love

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Phoebe to Silvius
Good shepherd, tell this youth what ’tis to love.
Silvius 
It is to be all made of sighs and tears,
And so am I for Phoebe.
Phoebe
And I for Ganymede.
Orlando 
And I for Rosalind.
Rosalind, as Ganymede
And I for no woman.
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Act 5
Scene 2
Line 87

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Tomorrow is the joyful day, Audrey

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Touchstone
Tomorrow is the joyful day, Audrey. Tomorrow
will we be married.
Audrey
I do desire it with all my heart, and I hope it is
no dishonest desire to desire to be a woman of the world.

It was a lover and his lass,
With a hey, and a ho, and a hey-nonny-no

 Enter two Pages.
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Act 5
Scene 3
Line 1

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There is sure another flood toward

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Jaques
There is sure another flood toward, and these
couples are coming to the ark. Here comes a pair of
very strange beasts, which in all tongues are called fools.
Touchstone
Salutation and greeting to you all.
Jaques, to Duke
Good my lord, bid him welcome.
This is the motley-minded gentleman that I have so
often met in the forest.
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Act 5
Scene 4
Line 36

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