In addition to the 154 sonnets Shakespeare wrote independent of his plays, he also wrote a number of sonnets within his plays. For example, four sonnets appear in Romeo and Juliet. To view sonnets which appeared in plays, click here.
Notes on Sonnets
The only mention in any of Shakespeare’s plays of the “better angel” is in Othello (5.2.235), when Gratiano, speaking over Desdemona’s body, speaks of her father:
Did he live now,
This sight would make him do a desperate turn,
Yea, curse his better angel from his side,
Shakespeare makes another mention of the “better angel”
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Shakespeare often reused images and metaphors, stealing from himself. The simile in Friar Lawrence’s musing from Romeo and Juliet,
And in their triumph die, like fire and powder,
Which as they kiss consume.
is echoed in the metaphor of the third quatrain of Sonnet 73.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
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For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived.
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead.
Mine eye and heart are at a mortal war
How to divide the conquest of thy sight.
Mine eye my heart thy picture’s sight would bar,
My heart mine eye the freedom of that right.
My heart doth plead that thou in him dost lie,Epanados
A closet never pierced with crystal eyes;
But the defendant doth that plea deny,
And says in him thy fair appearance lies.
To ’cide this title is impanelèd
A quest of thoughts, all tenants to the heart,
And by their verdict is determinèd
The clear eyes’ moiety and the dear heart’s part,
As thus: mine eyes’ due is thy outward part,
And my heart’s right, thy inward love of heart.
But be contented when that fell arrest
Without all bail shall carry me away,Ambage
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee.
The earth can have but earth, which is his due;
My spirit is thine, the better part of me.
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch’s knife,
Too base of thee to be rememberèd.
The worth of that is that which it contains,
And that is this, and this with thee remains.
Let me not to the marriage of true minds
Admit impediments.Synecdoche Love is not love
Which alters when it alteration finds
Or bends with the remover to remove.Polyptoton
O, no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,Metaphor
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error, and upon me proved,
I never writ, nor no man ever loved.Litotes
Shall I compare thee to a summer’s day?Rhetorical Question
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,Metaphor & Hyperbaton
And often is his gold complexion dimmed;Personification
And every fair from fair sometime declines,Antanaclesis
By chance or nature’s changing course untrimmed.
But thy eternal summer shall not fadeMetaphor
Nor lose possession of that fair thou ow’st,
Nor shall Death brag thou wand’rest in his shade,Personification
When in eternal lines to time thou grow’st.
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.Anaphora and Anadiplosis
Two loves I have, of comfort and despair,
Which like two spirits do suggest me still.
The better angel is a man right fair,
The worser spirit a woman colored ill.
To win me soon to hell my female evil
Tempteth my better angel from my side,
And would corrupt my saint to be a devil,
Wooing his purity with her foul pride.
And whether that my angel be turned fiend
Suspect I may, yet not directly tell;
But being both from me, both to each friend,
I guess one angel in another’s hell.
Yet this shall I ne’er know, but live in doubt,
Till my bad angel fire my good one out.