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Synecdoche

Synecdoche is a specific type of metaphor in which a part of an object or person is used for the whole, or conversely the whole for the part. For example, in “Who's got the wheels to get us to the movie?”, “wheels” refers to a car. Conversely, in “I'm going to get the car tuned up,” “car” refers to the engine. This is different from metonymy, which substitutes a related attribute rather than a part of a thing or person. In “Uneasy lies the head that wears the crown,” “head” is a synecdoche and crown is a metonymy.

Synecdoche is an example of:
Substitution

Blood and Humanity

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In the Merchant of Venice, the Prince of Morocco’s “And let us make incision for your love To prove whose blood is reddest, his or mine,” introduces the theme of superficial differences masking intrinsic similarities, the most intrinsic being that we share a common humanity. It foreshadows Shylock’s “If you prick us, do we not bleed” 
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Appearance and Deception

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A recurring theme in many of Shakespeare’s plays, and central to Much Ado About Nothing, explores how easily people are deceived not just by the false testimony of others but even by their own senses. Claudio, believing he was deceived by Don John, learned to place no trust in the words of others. With “Let every eye negotiate for itself,”
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How oft, when thou, my music, music play’st

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How oft, when thou, my music, music play’stAnastrophe, Antanaclasis, Epizeuxis & Metaphor
Upon that blessèd wood whose motion sounds
With thy sweet fingers when thou gently sway’st
The wiry concord that mine ear confounds,Anastrophe & Synecdoche
Do I envy those jacks that nimble leap
To kiss the tender inward of thy hand,Personification

Whilst my poor lips, which should that harvest reap,
At the wood’s boldness by thee blushing stand.Metaphor & Personification

To be so tickled they would change their state
And situation with those dancing chips,
O’er whom thy fingers walk with gentle gait,Catachresis
Making dead wood more blest than living lips.
Since saucy jacks so happy are in this,
Give them thy fingers, me thy lips to kiss.Ellipsis, Hyperbaton & Zeugma

Let me not to the marriage of true minds

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Let me not to the marriage of true minds
Admit impediments.Synecdoche
Love is not love
Which alters when it alteration finds
Or bends with the remover to remove.Polyptoton

O, no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,Metaphor

Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error, and upon me proved,
I never writ, nor no man ever loved.Litotes

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Two households, both alike in dignity

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Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudgeParenthesis
break to new mutiny,
Where civil blood makes civil hands unclean.Antanaclesis & Synecdoche
From forth the fatal loins of these two foesAlliteration, Oxymoron & Synecdoche
A pair of star-cross'd lovers take their life;Epithet
Whose misadventur'd piteous overthrows
Doth with their deathAlliteration bury their parents' strife.
The fearful passage of their death-mark'd love,Transferred Epithets
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,Parenthesis
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here Alliterationshall miss, our toil shall strive to mend.Parenthesis & Synecdoche

I come no more to make you laugh

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I come no more to make you laugh. Things now
PersonificationThat bear a weighty and a serious brow,
Sad, high, and working, full of state and woe,
SynecdocheSuch noble scenes as draw the eye to flow,
We now present.Hyperbaton
Those that can pity here
May,
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Act 1
Scene 1
Line Prologue

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I find here that Don Pedro hath bestowed much honor

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Leonato
I find here that Don
Pedro hath bestowed much honor on a young
Florentine called Claudio.
Messenger
Much deserved on his part, and equally
remembered by Don Pedro.Anapodoton
He hath borne himself
beyond the promise of his age, doing in the figure
of a lamb the feats of a lion.

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Angelo, There is a kind of character in thy life

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Angelo,
There is a kind of character in thy life,
That to th’ observer doth thy history
AlliterationFully unfoldHyperbaton
. Thyself and thy belongings
Are not thine own so properAnastrophe as to waste
Thyself upon thy virtues, they on thee.
Heaven doth with us as we with torches do,
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Act 1
Scene 1
Line 29

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Tush, tush, ’twill not appear

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Horatio 
Tush, tush, ’twill not appear.Alliteration & Epizeuxis
Barnardo
Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,Synecdoche & Assonance

What we have two nights seen.Anastrophe

Before my God,
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Act 1
Scene 1
Line 35

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Was this gentlewoman the daughter of Gerard de Narbon?

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Lafew
—Was this gentlewoman
the daughter of Gerard de Narbon?

Moderate lamentation is the right of the dead,
excessive grief the enemy to the living

Countess
His sole child, my lord, and bequeathed to
my overlooking.Ellipsis
I have those hopes of her good
that her education promises.
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This butcher’s cur is venomed-mouthed

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Buckingham
This butcher’s cur is venomed-mouthed, and I
Have not the power to muzzle him; therefore best
Not wake him in his slumber. A beggar’s book
Outworths a noble’s blood.Metaphors

Heat not a furnace for your foe so hot
That it do singe yourself.

Norfolk
What,
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Act 1
Scene 1
Line 143

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Fire and Gold

Your office, Sergeant: execute it

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Brandon
Your office, Sergeant: execute it.Hyperbaton
Sergeant, to Buckingham
Sir,
My lord the Duke of Buckingham and Earl
Of Hertford, Stafford, and Northampton, I
Arrest thee of high treason, in the name
Of our most sovereign king.

I am the shadow of poor Buckingham,
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