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Personification

The night has been unruly

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Lennox
The night has been unruly. Where we lay,
Our chimneys were blown down and, as they say,
Lamentings heard i’ th’ air, strange screams of death,
And prophesying, with accents terrible,
Of dire combustion and confused events
New hatched to th’ woeful time. The obscure bird
Clamored the livelong night. Some say the Earth
Was feverous and did shake.
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Admit no other way to save his life

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Angelo
Admit no other way to save his life—
As I subscribe not that, nor any other—
But, in the loss of question, that you, his sister,
Finding yourself desired of such a person
Whose credit with the judge, or own great place,
Could fetch your brother from Metonymythe manacles
Of the binding law,

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Welcome. Set down your venerable burden

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Enter Orlando, carrying Adam.

Duke Senior
Welcome. Set down your venerable burden,
And let him feed.
Orlando
I thank you most for him.
Adam
So had you need.—
I scarce can speak to thank you for myself.
Duke Senior
Welcome. Fall to. I will not trouble you
As yet to question you about your fortunes.—
Give us some music,
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Source:
Act 2
Scene 7
Line 174

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Spoken by:
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Themes:
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So then you hope of pardon from Lord Angelo?

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Duke, as Friar
So then you hope of pardon from Lord Angelo?
Claudio
The miserable have no other medicine
But only hope.
I have hope to live and am prepared to die.Antithesis

To sue to live, I find I seek to die,
And seeking death,
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How many thousand of my poorest subjects

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How many thousand of my poorest subjects
Are at this hour asleep! O sleep, O gentle sleep,
Nature’s soft nurse, how have I frightened thee,
That thou no more will weigh my eyelids down,
And steep my senses in forgetfulness?Personification

Uneasy lies the head that wears the crown.

Why rather, sleep, liest thou in smoky cribs,
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Source:
Act 3
Scene 1
Line 4

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Now, Ursula, when Beatrice doth come

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Hero
Now, Ursula, when Beatrice doth come,
As we do trace this alley up and down,
Our talk must only be of Benedick.
When I do name him, let it be thy part
To praise him more than ever man did merit.

What fire is in mine ears?

My talk to thee must be how Benedick
Is sick in love with Beatrice.
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Now, sister, what’s the comfort?

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Claudio
Now, sister, what’s the comfort?
Isabella
Why,
As all comforts are, most good, most good indeed.Epizeuxis
Lord Angelo, having affairs to heaven,
Intends you for his swift ambassador,
Where you shall be an everlasting leiger;Metaphor

Therefore your best appointment make with speed.
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Fates, we will know your pleasures

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Brutus
Fates, we will know your pleasures.Personification
That we shall die, we know, ’tis but the time,
And drawing days out, that men stand upon.
Casca
Why, he that cuts off twenty years of life
Cuts off so many years of fearing death.
Brutus
Grant that,
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Source:
Act 3
Scene 1
Line 109

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The hand that hath made you fair hath made you good

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Duke, as Friar, to Isabella
The hand that hath made you fair hath made you good.
The goodness that is cheap in beauty makes beauty brief
in goodness,Chiasmus
but grace, being the soul of your complexion,
shall keep the body of it ever fair. The assault that Angelo
hath made to you,
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Gallop apace, you fiery-footed steeds

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Gallop apace, you fiery-footed steeds,
Towards Phoebus’ lodging. Such a wagoner
As Phaëton would whip you to the west
And bring in cloudy night immediately.Alliteration & Allusion

Spread thy close curtain, love-performing night,
That runaways’ eyes may wink, and Romeo
Leap to these arms, untalked of and unseen.Personification

So tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them.
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Source:
Act 3
Scene 2
Line 1

Source Type:

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Themes:
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Figures of Speech:
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