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Personification

All good people, You that thus far have come to pity me

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Buckingham
All good people,
You that thus far have come to pity me,
Hear what I say, and then go home and lose me.

Go with me like good angels to my end,
And as the long divorce of steel falls on me,
Make of your prayers one sweet sacrifice

I have this day received a traitor’s judgment,
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They are the faction

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They are the faction. O Conspiracy,
Sham’st thou to show thy dang’rous brow by night,
When evils are most free?Apostrophe
O then, by day
Where wilt thou find a cavern dark enoughMetaphor
To mask thy monstrous visage?Personification Seek none, Conspiracy!Apostrophe
Hide it in smiles and affability;
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Source:
Act 2
Scene 1
Line 84

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Figures of Speech:
, ,

Prepare there! The Duke is coming.

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Vaux, calling as to Officers offstage
Prepare there!
The Duke is coming. See the barge be ready,
And fit it with such furniture as suits
The greatness of his person.
Buckingham
Nay, Sir Nicholas,
Let it alone. My state now will but mock me.Metonymy & Personification
When I came hither,
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Source:
Act 2
Scene 1
Line 116

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,

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The forest walks are wide and spacious

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The forest walks are wide and spacious,
And many unfrequented plots there are,Hyperbaton
Fitted by kind for rape and villainy.
Single you thither then this dainty doe,Alliteration & Metaphor
And strike her home by force, if not by words.

The Emperor’s court is like the house of Fame,
The palace full of tongues,
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Source:
Act 2
Scene 1
Line 121

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Connected Notes:
Lyrical Violence

Whence is that knocking?

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  Knock within.
Macbeth
Whence is that knocking?
How is ’t with me when every noise appalls me?
What hands are here! Ha, they pluck out mine eyes.Synecdoche
Will all great Neptune’s ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas incarnadine,

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Source:
Act 2
Scene 2
Line 74

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Themes:
,

Figures of Speech:
, ,

It is the law, not I, condemn your brother

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Angelo
It is the law, not I, condemn your brother.
Were he my kinsman, brother, or my son,
It should be thus with him. He must die tomorrow.
Isabella
Tomorrow? O, that’s sudden! Spare him, spare him.
He’s not prepared for death.Epizeuxis
Even for our kitchens
We kill the fowl of season.

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Why then you must. But hear thee, Gratiano

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Bassanio
Why then you must. But hear thee, Gratiano,
Thou art too wild, too rude and bold of voice—
Parts that become thee happily enough,
And in such eyes as oursSynecdoche appear not faults.
But where thou art not known—why, there they show
Something too liberal. Pray thee take pain
To allay with some cold drops of modesty
PersonificationThy skipping spirit,

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Source:
Act 2
Scene 2
Line 181

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Connected Notes:
Appearance and Prejudice

Here’s a knocking indeed!

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Porter
Here’s a knocking indeed! If a man were porter
of hell gate, he should have old turning the key.
  Knock
Knock, knock, knock! Who’s there, i’ th’ name
of Beelzebub? Here’s a farmer that hanged himself
on th’ expectation of plenty. Come in time! Have
napkins enough about you; here you’ll sweat for ’t.
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Source:
Act 2
Scene 3
Line 1

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Themes:
, ,

Figures of Speech:
, ,

Not for that neither. Here’s the pang that pinches

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Anne
Not for that neither.Anapodoton Here’s the pang that pinches:
His Highness having lived so long with herAlliteration
, and she
So good a lady that no tongue could ever
Pronounce dishonor of her—Parenthesesby my life,
She never knew harm-doing!—O, now,

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The gray-eyed morn smiles on the frowning night

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The gray-eyed morn smiles on the frowning night,Personification
Check’ring the eastern clouds with streaks of light,
And fleckled darkness like a drunkard reelsSimile
From forth day’s path and Titan’s fiery wheels.Allusion

The earth that’s nature’s mother is her tomb;
What is her burying grave,
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