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Synecdoche

This is a specific type of metaphor in which a part of an object or person is used for the whole, or conversely the whole for the part. For example, in “Who's got the wheels to get us to the movie?”, “wheels” refers to a car. Conversely, in “I'm going to get the car tuned up,” “car” refers to the engine. This is different from metonymy, which substitutes a related attribute rather than a part of a thing or person. In “Uneasy lies the head that wears the crown,” “head” is a synecdoche and crown is a metonymy.

Synecdoche is an example of:
Substitution

Blood and Humanity

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In the Merchant of Venice, the Prince of Morocco’s “And let us make incision for your love To prove whose blood is reddest, his or mine,” introduces the theme of superficial differences masking intrinsic similarities, the most intrinsic being that we share a common humanity. It foreshadows Shylock’s “If you prick us, do we not bleed” 
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Appearance and Deception

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A recurring theme in many of Shakespeare’s plays, and central to Much Ado About Nothing, explores how easily people are deceived not just by the false testimony of others but even by their own senses. Claudio, believing he was deceived by Don John, learned to place no trust in the words of others. With “Let every eye negotiate for itself,”
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Let me not to the marriage of true minds

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Let me not to the marriage of true minds
Admit impediments.Synecdoche
Love is not love
Which alters when it alteration finds
Or bends with the remover to remove.Polyptoton

O, no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,Metaphor

Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error, and upon me proved,
I never writ, nor no man ever loved.Litotes

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Two households, both alike in dignity

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Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudgeParenthesis
break to new mutiny,
Where civil blood makes civil hands unclean.Antanaclesis & Synecdoche
From forth the fatal loins of these two foesAlliteration & Synecdoche
A pair of star-cross'd lovers take their life;Epithet
Whose misadventur'd piteous overthrows
Doth with their deathAlliteration bury their parents' strife.
The fearful passage of their death-mark'd love,Transferred Epithets
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,Parenthesis
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here Alliterationshall miss, our toil shall strive to mend.Parenthesis & Synecdoche

I find here that Don Pedro hath bestowed much honor

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Leonato
I find here that Don
Pedro hath bestowed much honor on a young
Florentine called Claudio.
Messenger
Much deserved on his part, and equally
remembered by Don Pedro.Anapodoton
He hath borne himself
beyond the promise of his age, doing in the figure
of a lamb the feats of a lion.

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Angelo, There is a kind of character in thy life

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Angelo,
There is a kind of character in thy life,
That to th’ observer doth thy history
AlliterationFully unfoldHyperbaton
. Thyself and thy belongings
Are not thine own so properAnastrophe as to waste
Thyself upon thy virtues, they on thee.
Heaven doth with us as we with torches do,
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Source:
Act 1
Scene 1
Line 29

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By my troth, Nerissa, my little body is aweary of this great world

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Portia
By my troth, Nerissa, my little body is aweary
of this great world.
Nerissa
You would be, sweet madam, if your miseries
were in the same abundance as your good fortunes
are. And yet, for aught I see, they are as sick that
surfeit with too much as they that starve with
nothing.

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Set down, set down your honorable load

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Set down, set down your honorable load,Epimone
If honor may be shrouded in a hearse,Personification
Whilst I awhile obsequiously lament
Th’ untimely fall of virtuous Lancaster.
   They set down the bier.
Poor key-cold figure of a holy king,Alliteration
Pale ashes of the house of Lancaster,
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Source:
Act 1
Scene 2
Line 1

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O worthiest cousin, The sin of my ingratitude

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Duncan
O worthiest cousin,
The sin of my ingratitude even now
Was heavy on me. Thou art so far before
That swiftest wing of recompense is slow
To overtake thee. Would thou hadst less deserved,Metaphor

That the proportion both of thanks and payment
Might have been mine! Only I have left to say,
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Act 1
Scene 4
Line 17

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The forest walks are wide and spacious

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The forest walks are wide and spacious,
And many unfrequented plots there are,Hyperbaton
Fitted by kind for rape and villainy.
Single you thither then this dainty doe,Alliteration & Metaphor
And strike her home by force, if not by words.
This way, or not at all, stand you in hope.
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Source:
Act 2
Scene 1
Line 121

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Connected Notes:
Lyrical Violence

But what of Cicero? Shall we sound him?

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Cassius
But what of Cicero? Shall we sound him?
I think he will stand very strong with us.
Casca
Let us not leave him out.
Cinna
No, by no means.
Metellus Cimber
O, let us have him, for his silver hairsSynecdoche
Will purchase us a good opinion,
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Source:
Act 2
Scene 1
Line 152

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Friendship is constant in all other things

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Friendship is constant in all other things
Save in the office and affairs of love.Hendiadys
Therefore all hearts in love use their own tongues.Synecdoche
Let every eye negotiate for itself,Synecdoche
And trust no agent; for beauty is a witch
Against whose charms faith melteth into bloodMetaphor
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Source:
Act 2
Scene 1
Line 173

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Appearance and Deception